BiB

1. On Art and Culture and Gender stereotyping:

• Rethinking Visual Anthropology

Edited by Marcus Banks and Howard Morphy

Banks, Marcus, and Howard Morphy. Rethinking visual anthropology. New Haven: Yale University Press, 1997. Print.

For many years the field of visual anthropology has been dominated by a focus on the production and study of ethnographic film, leading many anthropologists to dismiss it as of little importance to their work. This book shows that the scope of visual anthropology is far broader, encompassing the analysis of still photography, television, electronic representation, art, ritual, and material culture. Because anthropology involves the representation of one culture or segment of society to another, say the authors, an understanding of the nature of representational processes across cultures is essential.

This book brings together essays by leading anthropologists that cover an entire range of visual representation, from Balinese television to computer software manuals. Contributors discuss the anthropology of art, the study of landscape, the anthropology of ritual, the anthropology of media and communication, the history of anthropology, and art practice and production. Also included are a wide-ranging introduction and a concluding overview.

• Media Worlds: Anthropology on New Terrain

Ginsburg, Faye D., Lila Lughod, and Brian Larkin. Media worlds: anthropology on new terrain. Berkeley: University of California Press, 2002. Print. 

This book showcases the exciting work emerging from the ethnography of media, a burgeoning new area in anthropology that expands both social theory and ethnographic fieldwork to examine the way media--film, television, video--are used in societies around the globe, often in places that have been off the map of conventional media studies. The contributors, key figures in this new field, cover topics ranging from indigenous media projects around the world to the unexpected effects of state control of media to the local impact of film and television as they travel transnationally. Their essays, mostly new work produced for this volume, bring provocative new theoretical perspectives grounded in cross-cultural ethnographic realities to the study of media.

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